Learn How to Edit a Novel: Editing 101
ou would never think about asking your neighbor who installs
satellites to 'take a look' at your furnace because it is making
a funny sound. But, every day people pay academic editors to
edit their fiction. Or they ask line editors to critique
their novels when they should be asking content editors
to help them. Take a few minutes to learn some simple editing
tips to help get a manuscript published.
Submitting a Manuscript to Publishers
Submitting a first draft is the biggest reason for rejection
letters. It is the reason why I tell new authors to have a
fiction editor critique their novels. This will cost about
$200.00, but can save you dozens of rejection letters, maybe
years of submitting and rejections, and a lot of heartbreak.
However, it is necessary to find a good editor. Have they ever
worked for a fiction publisher? How many published novels have
they edited? A BA in English, or an ex-teacher will not help a
writer polish a marketable fiction novel. Only a trained fiction
editor, who focuses on certain genres, are able to help writers
become published authors and sell books.
Most of the writers who send me a manuscript to edit or
critique send me a first or second draft. The novel is full of
grammar mistakes, plot holes, weak characters, and passive
writing - which is different than passive voice. This is easy to
solve. You will study the craft of writing, so why not learn how
to edit?
Learning how to get published is not hard, it just takes
time. Plots, story arcs, novel structure, genres, fiction vs.
literary, editing and proofreading, polishing, the list of
skills a writer needs can seem overwhelming. No one can expect
to understand everything in a short time. It takes time to write
a first draft, and it takes time to edit a novel. No writer can
edit, proofread, and polish a manuscript in one version. Editing
should be done in three steps.
Content Editing should prevent all the pacing and plot
problems.
Proofreading will correct grammar, voice and style
problems.
Polishing will eliminate typos, homonyms, and spelling
mistakes.
The following are basic things a writer must learn to edit
out of their manuscript.
Novel Structure
When writers rebel, stating that this is formula writing, or
that this takes the creativity out of writing, I reply with this
story. You have $15 000 which is earmarked for home renovations.
Your best friend approaches you, all excited, and offers to do
the work for you. You are confused, because your friend is a
hairdresser. Would you give a hairdresser your $15 000 to do
renovations on your house? What if friends did not want to know
what style you were looking for, did not care about your color
scheme, and had their own ideas about comfort and luxury? Would
you give them your money? However, people ask publishers to do
this every day.
Writers need to understand one fact. You are writing for the
reader, not yourself. Reader's demands drive the fiction
publishing industry. If the reader does not like the novel, they
will not buy it. And, readers do not want wild and crazy
stories, they buy novels which promise a good reading
experience.
Basic Elements:
Conflicts/Problems
Action and reaction/Cause and Effect
Building suspense in action scenes
Breathers
Climax
Black Moment
Resolutions
Story Plot Line
Romance Plot Line
Character Growth arc
Learn to recognize the basic elements in published novels.
Head Hopping
One scene, One Point Of View. You are not Nora Roberts. You
cannot sell the number of novels she can. So, you cannot get
away with writing like she does. Make sure every sentence in a
scene comes out of the POV character's head.
I tell my students to try this exercise. Pretend you are
standing at a window looking in at the scene unfolding. Beside
you stands a blind friend. You are going to tell her what is
happening, as it happens. Do not summarize, paint pictures with
words.
This is part one of this series of articles. None of the
mistakes listed here are arbitrary. They are all based on
rejection letters, discussions with publishers, and personal
experience. You can break these rules. You can break these
rules, as long as you realize that it will take longer to find a
publisher who wants your novel. I do know authors who make these
mistakes, and sell a novel or two a year. This is not unusual.
The stronger your writing skills are, if you consistently study
the craft of writing, and if you master the elements of a novel,
then you will be able to break the rules and get away with it.
These are the most common mistakes that result in rejection
letters. If you have a basic understanding of novel writing,
then it is time to learn how to create your own story arc by
studying the blue print of a novel.
Passive Voice, Passive Writing
This is the single most common error. New writers do not
realize that passive writing creates 'one degree of separation'
between the story and the reader. Passive voice is easy to catch
with your grammar check. Passive writing is a little harder.
Passive writing is narrative. Narration takes the reader out of
the main character's Point Of View (POV).
If this is your problem, then you need to take a course. If
you are not sure, then look for problems.
Check List:
Do characters actually do something, or does the sentence
explain what the character did? Jill picked up her milk vs. Jill
lifted the glass and took a sip of milk.
Do you use these words: was, were, had, that, still, felt,
noticed, saw, just, nice thought, up, down, beautiful, dark,
tall, almost, very, down, up, behind, and pretty? If you find
more than five of these words on your pages then you need to
learn how to remove them. In many cases these words can be
eliminated if you reconstruct the sentence so the main
character's actions are the subject of the sentence.
Do you stop the action to explain why a character is doing
something?
Are you telling the reader a story? Or, are you writing down
segment of the character's life, as it happens, describing
exactly what you, the writer, sees as it is happening?
Do you use gerunds, 'ing', words instead of verbs?
Do you use weak verbs? Jill ran vs. Jill's feet pounded the
pavement. Jill was angry vs. Jill slammed the door and stomped
across the hall.
Do you summarize? Look at the example above. You'll notice
that the passive examples are shorter than the active examples.
Passive voice is okay in dialogue. We talk in passive voice, so
it is okay if the character dialogue is written in passive
writing.